Robert Raushenberg: Combines
Poetic and lush, Robert Rauschenberg's Combines present layers of complex and sometimes conflicting information. The artistic approach, first explored by Rauschenberg in the early 1950s, proved prescient and has become increasingly relevant in the current age of cascading information when even the most ground-breaking artists are referencing and sampling disparate elements to create new forms.
This book focuses on the works created roughly between 1954 and 1964, the most important decade in the artist's 50-year career, and constitutes the most complete survey of the Combines ever presented, as well as the most rigorous analysis of their political, social, autobiographical and aesthetic significance.
An introductory essay by curator Paul Schimmel titled “Reading Rauschenberg” offers an analysis of the earlier Combines, based on in-depth conversations with the artist. Other texts help to contextualize the Combines, such as Thomas Crow's essay that calls them the major artistic statement of their time, and the one body of art that could simultaneously hold its own from de Kooning to Pop art.
Essays by Thomas Crow, Branden W. Joseph, Paul Schimmel, and Charles Stuckey Paperback. 287 pages.